Showing posts with label Chris Bisson. Show all posts
Showing posts with label Chris Bisson. Show all posts

Saturday, January 4, 2014

Understanding Jane (2001)

"Understanding Jane" is basically adequate as a talky lightweight Britcom, but becomes repellent and unconvincing when dealing with the romance between nice guy Elliot (Kevin McKidd) and vindictive, manipulating petty crook 'Dallas' AKA the Jane of the title (Amelia Curtis.) Attractive and pleasant McKidd and John Simm, as the friend give it their best shot and the girls (Curtis and Louisa Milwood-Haigh, as Curtis' partner in crime and Simm's love interest) follow suit, but nothing can endear this match made in hell to us.

   Elliot and Oz (Simm) respond to a personals ad and are coupled up with 'Dallas' and 'Popeye,' two good-time gals who proceed to ditch them with the bill. The guys eventually get their well-deserved revenge, but Elliot is drawn to Dallas, in that squabbling rom-com way. Dallas is just giving Elliot the run-around, but somehow she develops feelings for the poor sod. So, you would think she would repent from her toying with his feelings and we would see some character development on her part.

   The thing is, not really. She never seems to be particularly sorry for manipulating Elliot, or undergo any change. The final gag (her throwing his TV out the window after he is on the losing end of a bet) only shows how tight she has her talons wrapped around him. Elliot seems like a nice enough guy, and I feel sorry for him. Dallas is always playing with his feelings, and any seeming progression in her feelings toward him are really just a means to an end.

   There is a lot to dislike about this movie's technical competence (music that just sounds like background noise, fade-outs that inexplicably turn blue, grainy camerawork.) Also, despite a few clever come-backs and conversations, it simply isn't very funny. The plotline about Dallas' psycho ex goes pretty much nowhere, and gives us virtually no 'understanding' of her character.

   I loved John Simm on his short stint as a villain in "Doctor Who," and I like his character here, but it's hard to be involved when Jane's hold on Elliot dominate most of the movie. Also, what the f is with Dallas (Jane) introducing Elliot to the world of petty crime? 'Steal this CD.' And he does it! Elliot's getting by. He doesn't need to end up behind bars for petty theft. Is this Borderline behavior supposed to be cute?

   Dallas is cruel, narcissistic, manipulative and likes nothing more than to toy with naive Elliot's feelings. There's virtually nothing likable about her. It would be bad enough if the movie didn't enthusiastically condone Dallas' behavior. Are we supposed to believe that a relationship between strait-laced Elliot and cuckoo-crazy Dallas could ever work in the real world?

   I would not recommend this movie to anyone, although I did like some of the dialogue. Andrew Lincoln (Sheriff Rick on the AMC zombie drama "The Walking Dead") makes a brief appearance as a party guest. I don't like movies that celebrate imbecilic and hurtful relationships, with an emphasis on good-for-nothing women taking men on 'the ride of their lives.' That's just stupid. There's nothing wrong with playing it safe and not breaking the law for no discernible reason. Hope you enjoy my analysis, readers. Bye!
                                                Rating-
                                                    5.0/10


Monday, December 30, 2013

East is East (1999)


 Incorporating a blend of humor and heartbreak with ethnic issues, "East is East" sometimes seems awkward and wrong-headed, but it's successes are more plentiful than it's failures. The talented cast is a big plus, led by Om Puri and Linda Bassett as the wildly divergent parents, and Jordan Routledge as the adorable youngest child, Sajid.

   Manchester, 1971. George (Puri) is an old-fashioned Muslim and stern father of seven rebellious children, who are more white than Muslim and resent their father's interfering ways. Their mother, Ella (Bassett,) is an fairly assertive and modern British lady who tries to work out disagreements within the family. When Nazir (Ian Aspinall) panics during an arranged marriage ceremony and walks out on his bride, the clan is thrown into discord.

   As George becomes increasingly domineering and abusive, Sajid clings to his childhood like his well-worn parka that he never takes off. Ella tries to maintain some control over the deteriorating situation, and George becomes determined to marry off two of his oldest sons to two ugly brides.

   The odd mixture of strident comedy and domestic drama doesn't always work. Something like a amorous Great Dane or a vagina-shaped art project might seem mildly funny, but seems discordant among frank scenes of domestic violence. The acting is strong from the leads, and they help the movie quite a bit along the rough patches.

   Jordan Routledge is cute and expressive as the youngest lad of the family. Linda Bassett is convincing playing the frustrated, beleaguered matriarch, and while I didn't agree with all her decisions, I sympathized with her for the most part. George is not a cartoon cutout villain, but I think his treatment of his family might have been treated a bit more seriously if he weren't a 'traditional Muslim man.'

   Ella might defend her husband, but we modern girls know better- if a man gives us a black eye and menaces our children, he is O-U-T out! Religion is neither a defense or an excuse. *SPOILER ALERT* I don't like how she gets back together with him at the end. I guess it happens, but it wasn't a satisfying ending. She should have shown that b**tard the door. *END OF SPOILER*

   For the most part, "East is East" is a charming movie. I liked the character-based humor and the kids' antics. It would be annoying growing up in a big family like that. You wouldn't have any privacy! The kids were pretty much stacked on top of each other like a cheese sandwich. I had some problems with the film but overall I liked it.

   I think the treatment of the unattractive women in the film could've been a little less cruel, but like the ending, it's a reality of life that might not be pretty to face, but exists all the same. The world has a long way to go when it comes to being unbiased and dispelling shallow values. Overall a good movie.
                                                              Rating-
                                                7.5/10