Scenic Route (2013)

 
What originally runs the risk of being a pretentious best-friends-fighting-in-the-desert borefest turns out to be an interesting study of what happens when your best bud becomes someone you would rather not share the same universe with, let alone a beat-up pick-up truck. The two friends are not always sympathetic, but we understand their motivations and the film refuses to side with either of them.

   Mitchell (Josh Duhamel, who did those two giant-robot movies by the filmmaker we all like to make fun of) and Carter (pudgy Dan Fogler, who until now primarily acted in critically-bashed comedies) are two friends driving through the desert. We don't know exactly where they're going, as their destination matter not to us; what we do know is that Carter's a starving artist (some might say 'loser') who lives in his car and struggles to sell a novel, and Mitch is a family man with a wife and a little boy, who begrudgingly makes the rounds through an excruciatingly boring job at the office.

   I won't go into the details of how they end up stranded in the desert with nothing to eat except dry ice and jelly beans. We felt tension between the two old friends initially, now the unease explodes into full-blown hatred and disgust. This is can be a good set-up for both a thriller and a black comedy and is, mean humor runs throughout this film that makes us laugh in spite of ourselves.

   In between their vicious bouts of verbal bile and outbursts, the men share their insecurities and fears. And as the boiling hot days give way to frigid nights, they become increasingly disillusioned about their chances of survival. The insights into male middle age are not always kosher or kind, but they are honest and cleverly written.

   Josh Duhamel does a very good job as Mitchell; Dan Fogler sometimes falters being unsure of the balance between pathos and black comedy but still impresses, especially considering where he came from. The twist ending is a bit predictable, but still brilliantly executed. On a random side note, I wish they had gotten an obese woman to play Mitch's wife. He talks frankly about how he has a hard time getting it up looking at her post-pregnancy body, and then she turns out to be gorgeously thin? Come on.

   "Scenic Route" might be a waste of time for some people, but for those who like conversationally driven thrillers with darkly comic undertones will be more than happy to soak in the film's subversive pleasures. The only film I can compare it to is "Buried" with Ryan Reynolds, if you like that kind of talky, tense film with an isolated setting, you will probably like this. As is, I found this a very underrated movie with a surprising cast. I hope you like it as much as I did.
                                                 Rating-
                                                          7.5/10

Clay Pigeons (1998)

Apparently, filmmaker David Dobkin was inspired to make this after seeing "Fargo." Despite never reaching the creative heights as the Coens' 1996 masterpiece, "Clay Pigeons," set in a small Montana town peopled with idiosyncratic  characters, functions well as a unique independent film with bite and quirky oddness to spare.

   Here's the deal- loser Clay (Joaquin Phoenix) is banging his best friend Earl (Gregory Sporleder's) white-trash girlfriend, Amanda (Georgina Cates). When Earl gets sick of being two-timed, he gets drunk and commits suicide in front of Clay, trying to frame him for his death.

   This leads to a string of events that leave Clay totally shaken and out of his comfort zone, as bodies pile up, friendly serial killer Lester Long (played by Vince Vaughn, but don't let that run you off) befriends Clay, and acerbic FBI agent Agent Shelby (Jeanane Garofelo) is on the case.

Take This Waltz (2011)

"Is that that Seth Rogen guy? What's he doing?"

"I think he's... acting."

"Acting? You mean actually giving a performance without using immature fart or stoner humor as a crutch to compensate for an apparent lack of talent? Well, I'll be... Do miracles never cease?"

   Seth Rogen is, indeed, quite good in this. The scene where he expresses, in various takes, his shock and horror at his wife's infidelity is revelatory. Overall, though, "Take This Waltz" is so-so, marred by a lack of likable characters and consistent dialogue.

   I there's one thing you can say about this movie, it's that it doesn't glorify the act of adultery in any way. Bored housewife Margot (Michelle Williams, who gives a very nice performance here) engages in cutie pie antics and baby talk with her husband, Lou (Seth Rogan,) but longs for passion and intimacy.

Film Review: The Deep Blue Sea (Mild Spoilers)

The Deep Blue Sea (2012) Directed by Terence Davies, Screenplay by Terence Davies based on the play by Terence Rattigan.

Hester Collyer (Rachel Weisz) is married to a much older man. She and her scholarly husband Bill (Simon Russell Beale) seem to have an affectionate connection. But frankly, he is a bit of a repressed mama's boy, and Hester is longing for more fun and passion.

She falls in love with Freddie Page (Tom Hiddleston), a Royal Air Force pilot. When Hester is unable to obtain a divorce, they attempt to live together as husband and wife, but they seem to be leading each other down a self-destructive path.

Film Review: The Ice Storm

The Ice Storm (1997) Directed by Ang Lee, Screenplay by James Schamus based on the novel by Rick Moody.

Something is Killing Tate

Although putting down a movie as weirdly good-intentioned as "Something is Killing Tate" incites guilt in me, the truth must be told, so here goes. This film, an unholy mix of earnesty, melodrama, and blaxploitation cheesiness, comes up with a hodge-podge of issues -- suicide, rape, child abuse, alcoholism, adultery, and childhood disabilities -- dials them up to the extreme, and expects to be taken seriously.

   Tate (Jocko Sims) is dying inside... an unfortunate victim of childhood abuse by his father (Kevin Nichols, a cartoon caricature of larger-than-life proportions.) After a failed attempt to take his life, he is looked after by his fiance and friends. Tate's feeling of impending doom stops him from hopping into bed with his best friend's girl (Luz Beato, who sleazes and pouts her way through the movie, never once convincing us that she has a brain.)