Archipelago is exceptionally well-shot, very well-acted, and filmed with such realism that you could be watching a documentary. It has so much potential, in fact, that I would like to gush about it for the entirety of this review. The catch? The pace is so lethargic that it might put you to sleep if you're not careful.
I know, I know. You've heard this all before. OMG! This movie is so BORING. I almost fell asleep. Zzzzz LMAO! But I can assure you, I am not one of those people who needs Michael Bay CGI masturbation to be entertained. I like drama. I like independent filmmaking.
But a film needs to have a hook. A family disintegrating is not a hook. As you and I both know, there are so many depictions of movie families disintegrating that the depiction of the disintegration itself has become a rather ho-hum affair.
Not to say this movie is a completely tepid experience. It's a good three-star movie, well acted, with a very likable performance from Tom Hiddleston (best known as the villainous Loki from Thor and The Avengers) as Edward, an awkward but good-hearted philanthropist. Kate Fahy (the bed-ridden matriarch in The Living and the Dead) plays Edward's mother, Patricia, stretched taut by the strain of her absent husband.
The Deep Blue Sea (2012) Directed by Terence Davies, Screenplay by Terence Davies based on the play by Terence Rattigan.
Hester Collyer (Rachel Weisz) is married to a much older man. She and her scholarly husband Bill (Simon Russell Beale) seem to have an affectionate connection. But frankly, he is a bit of a repressed mama's boy, and Hester is longing for more fun and passion.
She falls in love with Freddie Page (Tom Hiddleston), a Royal Air Force pilot. When Hester is unable to obtain a divorce, they attempt to live together as husband and wife, but they seem to be leading each other down a self-destructive path.
Haters can hate, but we fans know the truth -- Joss Whedon is the king. From the science fiction goodness of Firefly to the tongue-in-cheek tunes of Dr Horrible's Sing-Along Blog, Whedon never seems to step wrong.
Despite the knowledge that Joss Whedon would be directing Thor -- along with, strangely, Kenneth Branagh -- I could not put aside my apprehension about this project. The trailer promised lots of yelling, million-dollar special effects, a dewy-eyed Natalie Portman, and Chris Hemsworth's abs.
Wasn't I, after all, a girl more interested in Lars Von Trier and Ingmar Bergman than mainstream action films? Wasn't I a fan of Simon Rumley? (The fact that you have no idea who this is hoists my argument considerably.) Who didn't like X-Men: First Class even as others gushed about it?
I'm pleased to report, despite my apprehension -- and, dare I say it, pretensions -- Thor exceeded my expectations considerably. Yes, there was dewy-eyed romance, bazillion-dollar special effects, and perfectly physiqued A-listers (all the things I hate in a movie -- bah Humbug!)
It's actually one of the first big-budget action/adventure movies I've really enjoyed in a long time. At the heart of the story are two brothers, Thor (Hemsworth) and Loki (Tom Hiddleston), who live with their parents, the king and queen (Anthony Hopkins and Rene Russo) in the mythical land of Asgard.
Loki wants the throne, and his brother stands in the way of him getting to it -- sound familiar? (i.e. Disney musical featuring an award-winning song performed by Elton John?) Anyway, Loki is allwed more depth than Scar, because what he really wants is his share of Dad's love, and he's always felt a little different from his royal family.
Just as Loki is devious and back-handed, Thor has a superhuman dose of hubris. Let's consult the dictionary.
hubris- n. Overbearing pride or presumption: arrogance.
Yeah, that's Thor. He has so much hubris, in fact, that he refuses to back down from a fight, and in a roundabout way, Loki uses that against him, getting him kicked out of Asgard and cast into the human world.
Enter a trio of meteorologists- Darcy (Kat Dennings), Erik (Stellan Skarsgård), and Jane (Natalie Portman), an attractive enough but frankly dull character who becomes Thor's love interest when he crashes to earth. Trapped in the human realm, Thor must learn humility; meanwhile Loki lies, cheats, and manipulates his way to the top, and Asgard suffers for it.
Arrogance driving a hero towards ruin hasn't been done very often in superhero movies (besides the Godawful Spider-Man 3) so Thor's hubris proves a welcome motif. Meanwhile talented Londoner Tom Hiddleston gives a good performance as the tormented and sly Loki, making it difficult to tell whether Loki is emoting or merely affecting.
Although the special effects are dazzling, they didn't get in the way of the story, although sometimes they distracted me. One complaint I have is that Jane was as boring a romantic interest as you could find, which is the fault of the script, not Natalie Portman, who proved she could act her ass off in Black Swan. Otherwise, do I think you should see it? Yes I do.
Archipelago is exceptionally well-shot, very well-acted, and filmed with such realism that you could be watching a documentary. It has so much potential, in fact, that I would like to gush about it for the entirety of this review. The catch? The pace is so lethargic that it might put you to sleep if you're not careful.
