Showing posts with label Chloe Grace Moretz. Show all posts
Showing posts with label Chloe Grace Moretz. Show all posts

Saturday, January 25, 2014

Hick (2011)



 
Contrary to the brutally negative reception for this film, I found "Hick" to be a solid film with a powerful theme and an engrossing main character. I actually thought it was better than the director's earlier effort, "Lymelife" (2008.) Rory Culkin gave it his best shot, but the Suburban family dysfunction motif is so 'done,' and y'know, Emma Roberts plays the same damned character in every freaking movie she's in.

   The often-overlooked Culkin brother is in this too in a small part, but Chloe Grace Moretz runs the show as Luli, a sexually provocative yet heartbreakingly vulnerable 13-year-old and the product of drunk loser parents (Anson Mount and Juliette Lewis) living in small town, Nebraska. Disenchanted with her going-nowhere life, Luli hitches a ride from a limping young man (Eddie Redmayne,) a decision which turns out to be the most dire of her life.

   Chloe Grace Moretz is a good little actress, although she still has a lot of room to improve, and seeing her flounce around in her underwear and act sexually precocious might bother a lot of people. But it's important to remember that Moretz is not a little girl anymore, and is gradually working her way into more mature roles (maybe a little faster than we would like.)

   Luli is a dynamic character. Early on, as she points her revolver in the mirror and quotes lines from famous
Pubescent Moretz provokes controversy.
films, we see a girl who has been hurt to many times, and needs a lifeline of any kind to stay afloat. Later, when she asks her mother's boyfriend if she's pretty, our heart aches for her- we want to be there for this lonely, desperate girl, yet can only watch her fumble and fight with the challenges of an unusual adolescence through the screen.

   Unfortunately, the other characters are singularly nasty and unlikable, almost unbearably at times. Most of them seem to exist primarily to abuse, let down, and exploit Luli, to the exclusion of anything else. Redmayne gives a good performance as Eddie, the boy who picks Luli up, but by the end it is impossible to feel any sympathy for him.

   Just because we are traveling from one little hick town to another, does that mean the men can't show a little chivalry towards a struggling teenage girl? It is disturbing, but also ludicrous, how each odd character Luli meets seems to be indescribably broken and mean spirited. That said, I never got bored during this movie, and was fascinated by Moretz's little traveler.

   I've liked Moretz since "Kick-Ass," and she shows maturity and screen presence as the lead character. Watch this for her and Redmayne, if for no one else. While Redmayne is appropriately vile, the film finds an unlikely heroine in Luli, sometimes sour, sometimes sweet, but always compelling.
                                            Rating- 
                                                   6.5/10
When lines are crossed.



Monday, January 6, 2014

Bolt (2008)

 
There's no doubt about it- "Bolt" is great family entertainment, bolstered by bright, engaging animation and likable characters. My only worry is that people will shy away from this movie because of some irrational hatred from one of the voice actors, Miley Cyrus. Well, let me put your mind to rest folks- Penny (voiced by Cyrus) is not even the lead, and in the scenes she is in she does a fine job, and in actuality, does not make you want to put your head through a wall, although her singing might be a different matter.

   John Travolta voices the eponymous character, a white German Shepherd who is adopted and taken home by a little girl, his little girl, who as it comes to pass, becomes the star of a very lame television show. In the show, Penny plays a prepubescent badass who fights the evil Doctor Calico (voiced by Malcolm McDowell) as his minions side by side with the genetically engineered Bolt.

   The catch- Bolt, who has been duped by camera tricks and showbiz gimmicks, thinks the show is real, and fights every new episode to save his beloved Penny. The director (voiced by James Lipton,) in order to evoke convincing acting from the job, refuses to take multiple takes and never lets Bolt of the set of the TV show, much to Penny's dismay.

   When Bolt is accidentally shipped off to New York City in a cardboard box, he must face real-world consequences for his confused behavior. For the first time he bleeds, he becomes hungry, and he is separated from Penny. It is there he meets Mittens (voice of Susie Essman,) a streetwise alley cat whose fate becomes entangled with Bolt's. The scenes introducing Mittens are hilarious and cleverly conceived.

   The next addition to the group, Rhino the hyperactive hamster (voice of Mark Walton,) makes things a little silly but his goofiness will please kids and the young at heart. Mittens wants Bolt to stay with her, but Bolt insists on journeying on to find Penny, which leads to an exciting and emotional finale.

   I loved the characters in this movie, and this bears up to multiple viewings. It's touching, but doesn't tear you up (like "The Fox and the Hound," which reduces me to tears) and isn't too scary or dark for kids. I also liked the fact that they made Penny's mother overweight without adding any fat jokes or showing her eating a cheeseburger in every other scene. The movies need more positive portrayals like that.

   "Bolt" is a very cute movie that should charm audiences of all ages, especially animal lovers. I don't recall a single potty-related or off-color joke, although some of the showbiz satire should go over the heads of kids. A must see family film!
                                                     Rating-
                                                         8.0/10



Sunday, November 10, 2013

Movie 43 (2013)

Though hardly a consistently funny film, "Movie 43" is, astonishingly, not a complete and utter miss. It is a hit-and-miss spectacle around the lines of 2013's "The ABCs of Death," with a comedy rather than horror theme. At it's worst, it's still a lot better than the worst "ABCs of Death" had to offer.

   The plot is loosely and crudely constructed, with an emphasis on 'crude.' The jokes consistently base themselves on shock value and poor taste, with sometimes funny results. This is an anthology film, and the segments all base themselves around this premise- wimpy schmuck Griffin (Greg Kinnear) listens as obsessed screenwriter Charlie (Dennis Quaid) pitches a script to him- a tasteless opus that Griffin quickly dismisses. Undeterred, Charlie holds Griffin at gunpoint and tries to force him to sell the script. The following shenanigans are the contents of this screenplay.
  The first segment, "The Catch," is actually pretty funny as Kate Winslet tries to figure out why no one seems to notice the giant ballsack hanging from her date Hugh Jackman's neck. Don't judge me, I laughed. The second one was pretty funny in an 'ashamed of yourself but laughing' way, it actually plays on the stereotypes about homeschoolers, as a homeschooled young person I appreciated that.

   The only other really funny short in this collection is the grossly inappropriate iBabe. The others range from pretty mediocre to pretty bad. The one with Chloe Grace Moretz, a talented young actress, is just embarrassing and awkward as a teenage girl is humiliated by her inopportunely timed first period and the incompetence of her male audience. The one with Anna Faris was gross and pointless, and is only funny if you like poop jokes and third rate sitcom humor.


Some of the shorts were mesmerizing in their strange tastelessness, "Beezel," with it's homosexual cat jacking off to pictures of his owner in swimtrunks, is a startling example. I didn't find the short about the black basketball players particularly racist, but I didn't find it funny either.

   "Movie 43" doesn't really utilize it's all-star cast, but you could do worse for a late-rainy-day distraction. If you get to watch it free, and want to laugh a few times and think 'hmm, that's strange,' then go for it. It's not the abomination people have made it out to be, but it's no classic comedy. Just remember to lighten up and think for yourself!
                                       Rating-
                                            5.5/10