British filmmaker Sean Ellis' 2008 horror film, "The Broken," is a
seriously underrated, twisted little puzzle-box of a movie that refuses
to let you go and will inspire discussion after the credits have rolled.
Sure, it rips concepts from other horror films
(parallels to "The Shining" run throughout) and doesn't contain as many
scares as it should, but "The Broken" is so much better than other films
of it's kind and deserves more attention than it gets.
Radiologist Gina McVey ("Game Of Thrones"'s Queen Bi**h and resident
brother-f**ker, Lena Headey) drives home from work one day to see her
double drive past her. Horrified and intrigued (and not clever enough to
leave freaky s**t like this alone,) Gina follows the woman, only to
lose her.
Showing posts with label Richard Jenkins. Show all posts
Showing posts with label Richard Jenkins. Show all posts
Tuesday, August 20, 2013
Tuesday, April 9, 2013
The Cabin in the Woods (2011)
Fast-paced, gory, and with a razor-sharp sense of humor, "The Cabin in the Woods" borrows elements from older horror films and twists them around, making them its own. Never since "Tucker & Dale Vs. Evil" have I seen such originality and creative scriptwriting in a modern horror-comedy."The Cabin in the Woods" is truly a marvel to watch, and stands as an excellent addition to co-writer Joss Whedon's repertoire. The plot starts out "typical" and soon reveals itself to be a lot murkier (and more awesome) than it initially seemed.
Five friends- innocent Dana (Kristen Connolly), "cool dude" Curt (Chris Hemsworth), slutty Jules (Anna Hutchinson), amusing pothead Marty (Fran Kranz), and sensitive guy Holden (Jesse Williams) go off on a trip to a cabin in the woods. Marty quickly establishes himself as my favorite, with his pseudo-profound pot-addled ramblings and surprising perceptiveness.
Friday, September 21, 2012
Cabin in the Woods: Spoilers! Read After Watching the Movie
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| Spoilers! Proceed at your own risk. |
If you ever wanted to see a film that ends with two people, splattered in blood and guts, sharing a joint at the end of the world -- this is your movie.
Now there's a line I never thought I'd say. But seriously, how awesome was that scene? :-)
I have to say up front that I am not a big fan of horror movies, gore, or general campiness. Maybe it's because I came of age in an era before modern special effects. I mean seriously -- who really wants to see a creepy undead kid running around in a hockey mask? So while I was looking forward to this movie for a bit of light-hearted, cringeworthy fun with the husband and teens, I wasn't expecting much.
Who thought I would love it and confer a rare 5-star rating? Only Joss Whedon, the crazy man who made me fall insanely in love with cowboys in space, could've pulled that off.
The Cabin in the Woods sets up a typical cliche-ridden horror flick, the kind teenage guys can take their dates to for a quick scare. A group of college kids heading off for a weekend getaway at an isolated cabin in the woods. Loads of sexual tension. The creepy guy at the gas station at their last stop before reaching the cabin. The group's first foray into the lake. And of course they go into the basement. But we quickly see there's a twist -- it's kind of a cross between Friday the 13th/Texas Chainsaw meets The Truman Show. Unbeknownst to them, the five friends are having their vacation experience choreographed in a particularly perverse way as part of a Lovecraftian scheme to appease the ancient spirits.
One couple has even been drugged to ensure they'll fit tired horror movie tropes. The cute blond pre-med student is suddenly acting like a bimbo, and her bookish sociology major boyfriend has become an obnoxious alpha male, openly gloating over the hotness of his girlfriend. Go figure. :-)
The group also includes "the virgin," who isn't actually a virgin ("The Director" later comments "These days, we'll take what we can get"), her prospective boyfriend, and their stoner buddy with a penchant for conspiracy theories. The stoner, Marty, is at one point referred to as "the fool." But he's actually the cleverest of the lot, despite carrying an over-sized bong that put my misspent youth to shame and spouting a lot of pseudo-profundity that could only be the result of a THC-addled mind. Like the fools in Shakespeare's tragedies, he is the one who speaks the truth. After all, the thing about conspiracy theories? You're only crazy if you're wrong.

Eventually, as in a video game, the intrepid survivors stumble onto the final level and have the opportunity to face the perpetrator of their suffering. My son (and resident gaming expert) pointed out that some shots were reminiscent of third-person video games. There is also this wonderful scene in which we get a peek at myriad creatures held in reserve for unwary victims. In this world, with a nod to Orwell, everyone gets his personal Room 101. Oh, and I thought the ending rocked.
If you look at this movie as a satire of -- or more aptly as a homage to -- movies, video games, and the campy horror genre -- it works on that level. It's smart and well-crafted, and it offers a wealth of entertaining references to games and films -- even I picked up on some of these, and I am neither a gamer nor a horror aficionado. By gleefully playing with technology vs. reality, and with its pastiche of horror movie and futuristic elements, self-referential humor, and video game imagery, this is also a fabulous tribute to postmodernism in film.
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| Yes, that is Marty's over-sized bong. Like Chekov's gun, it comes into play. ;-) |
More importantly, it's a unique, imaginative, funny movie featuring intelligent dialogue and magnificent storytelling. There's also enough gore to satisfy viewers who count slasher flicks among their guilty pleasures. It's definitely one of the most original, entertaining movies I've seen in recent memory.
Other Fun Stuff:
- Houston Press: Top 10 Cabin in the Woods movies
- Unreality Mag: Concept Art for The Cabin in the Woods
Friday, April 27, 2012
Step Brothers
Okay. If you are planning to rent this film because you like Will Ferrell, or because you laughed (as I did) at his intellectual masterpiece Land of the Lost... stop and think for a minute, a practice this film ignored completely. Emotionally underdeveloped males are not funny.
Vindictive man-child squabbling is not funny. Middle aged men too lazy and pathetic to get off of their behinds and get jobs, only feed off of their long-suffering parents with the will and determination of parasites... not funny. Even if one of them is played by Will Ferrell, the humor is still pretty nonexistent.
Step Brothers, an uneasy blend of Paul Blart - Mall Cop and Chuck & Buck, is the kind of throwaway film people might awkwardly refer to as "cute" (as in "was it a good movie? it was... cute.") The trouble is, it is far too resolute in it's crudity to pass as such.
It mistakes winces for laughs and hammers its content ferociously into the viewer's face, hoping that its gall will earn some kind of respect. It's not even or satirical enough to pass as dark humor. As a feel-good raunchy comedy, it misses its mark completely, despite some 'ah gee' moments near the end where relationships are salvaged and the imbeciles are rewarded for their actions.
The premise runs like this - two older people Robert (Richard Jenkins) and Nancy (Mary Steenburgen) meet at a science convention, bond, and are in each other's pants within the next five minutes. They put their clothes on, straighten up and get married. Nancy and Robert would like nothing more than to take Robert's boat and embark on an indefinite vacation.
The trouble arises with their two sons, Brennan (Ferrell) and Dale (Reilly), middle-aged slackers who live at home and don't take well to the courtship.The two of them spend the film masturbating, eating junk food, being beaten by children, beating children, and flaunting foul language like a college degree. Their idiocy is almost redeemed by the introduction of Brennan's successful brother, Derek, who is more deplorable than they are. But it's tough competition.
One both rubs his testicles on a drum set and is forced to lick a mound of dog feces, all in the same film. If you are interested in seeing Will Ferrell's balls, maybe you should rent and enjoy this movie. If not.... maybe not. They should probably be marked as Will Ferrell = Brennan and John C. Reilly = Dale, since there is no personal variation between them. They exist as characters to disgust and half-heartedly amuse.
Although Richard Jenkins, playing in my recent reviewed film Burn After Reading and receiving an Oscar nomination for The Visitor (bought but not seen) has participated in many of the Farrelly's films, I had no idea he could sink this low. He's the only character with a working brain in the film (as his wife smiles and says "I think they're bonding," he responds, "I don't like this.")
However, for this character to work, one would need a director with a apparently functional brain. At an afterwords at the credits, when Brennan and Dale face their grade school-sized bullies, one punches a child repeatedly, his head bobbing back and forth like a rag doll. That's the whole trouble with Step Brothers - it has no understanding of what's funny and what isn't. Equipped with this bumbling ignorance, it shamelessly hits all the wrong notes (Rated R.)
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