The Kite is a unique foreign film which blends contemporary history with magical realism -- I've never seen anything like it.
This
Lebanese movie, directed by Randa Chahal Sabagh, portrays a Druze
village near the border between Lebanon and Israel. The Druze faith, as I
understand it, is closely related to Islam. However there are some
important differences. For example, the Druze faith includes a belief in
reincarnation.
We are drawn into the lives of Lamia, a beautiful
16-year-old girl, her mother, her aunts, and her beloved little brother.
The men are on the periphery, making decisions that dictate women's
lives but seldom in the picture. Lamia's hand in marriage has been
promised to her cousin Samy, who lives on the other side of the
Lebanese-Israeli border.
Their
community was divided when land was annexed by Israel. Lamia's portion
of the community is separated from Samy's by barbed wire fences, guarded
by an Israeli military checkpoint which they are not allowed to cross.
This boundary separates brothers, sisters and cousins. We see women
gathered along the fence line, armed with megaphones, shouting to their
estranged loved ones on the other side while Israeli soldiers listen and
take notes. The conversations between women, broadcast over megaphones,
is often off-color and hilarious and sometimes made me cringe. For
example, a woman advertised her son's sexual prowess to his intended
bride's family, making reference to his affinity for nanny goats. Ahem
... :-)
Watching this, we realize Lamia will have to cross this
border to join her new husband, whom she's never met. She will do it
alone, as only new brides and the dead are allowed across, and she is
unlikely to see her family again.
We alternate between her story
and the lives of the Israeli soldiers who guard the checkpoint. One of
them is Youssef, a young Druze physicist trying to fit in with his
Jewish comrades at arms. He watches Lamia, and hears her mother and
aunts discussing her future over megaphones, and he comes to feel he
"knows everything about her." A spark of passion is kindled between the
two teens. Then the movie becomes increasingly dream-like as it delves
into the possibility of forbidden love in the midst of occupation.
This
is a partly a movie about war and political oppression. It is clearly
told from the Lebanese/Arab perspective; the Israeli side of the story
isn't explored. Nevertheless it is an eye-opening story about lives
reshaped by shifting political boundaries and military intervention. It
also explores the ways women assert themselves and exert control over
their lives in a patriarchal society that gives them a narrow range of
choices.
The film is full of vibrant imagery, much of which has a
symbolic quality. As it reaches its climax, it becomes increasingly
dream-like, so the images seem more real than the plot. When I think
about this movie, images are what stick with me most clearly. I see the
pure white of Lamia's billowing wedding dress, as she makes her solitary
trek across the border, and of the children's white kites floating
around the barbed wire fence. I see men's boots filling the screen,
bringing authority and emphasizing the divisions between people. And of
course the ubiquitous guns and barbed wire. This is a story about
innocence and love in a world carved up by ever-changing political
boundaries, war and violence.
Rating:
| Cherished Favorite | Excellent Film |
Good Movie | Meh | Definitely Not
For Me |