Sunday, September 30, 2012
Film Review: Oslo, August 31st
Year Released: 2011
Director: Joachim Trier
Screenplay by: Joachim Trier and Eskil Vogt, based on the novel Le Feu Follet by Pierre Drieu La Rochell
Rating: (4.5/5 Stars)
Addiction is an agonizing journey, and it's an open secret that the road to recovery can be much more painful. It tends to trigger depression, hopelessness, guilt, grief, self-pity, and anger. A recovering addict is often overwhelmed when faced with the consequences of his substance abuse, an awareness that had been numbed by the drugs, and frustrated when he is unable to immediately win back the trust of people close to him. On top of all this, where do you go when all your friendships and hang-outs revolved around alcohol and other drugs?
This Norwegian film manages to convey all of this, through quiet, thoughtful scenes, rich in dialogue, without becoming heavy-handed or cliched.
Oslo, August 31 shows us one day in the life of Anders (Anders Danielson Lie), who is nearing the end of his stay in an inpatient drug rehabilitation center. He is clean and sober, but clearly not yet recovering. He returns to Oslo, where he had lived all his life, for a job interview. He doesn't hold much hope for returning to his career as a journalist. Even his work associations had centered around substance use, and he lacks faith in his writing ability. The viewer can see that Anders is intelligent and insightful, with strong professional credentials, and that he has potentially loving, supportive people in his life. But in the moment, he is blind to those things. He holds little hope for his future, and it's virtually impossible to see outside the moment.
However, he makes the journey with plans to reconnect with his sister and with a close friend, Thomas (Hans Olav Brenner). Throughout the day, he encounters old friends and places, reminders of his past.
The conversations Anders has, particularly his talk with his old friend Thomas -- once a partying buddy and now married with children -- reveal a great deal. There is something real and raw about the scene in which Anders talks to Thomas about his life. And Thomas's efforts to help his friend see glimmers of hope are painful and will resonate with anyone who's ever tried to help a loved one on the brink of disaster.
But as is always the case in outstanding movies, the filmmaker conveys as much -- if not more -- in quiet moments. There is a wonderful scene, about halfway through the movie, in which Anders is sitting alone in a coffee shop. He is keenly aware of the people around him, absorbing snippets of conversation. He is surrounded by strangers chatting about their relationships and random details of quotidian life -- one young woman shares a list of hopes and plans for her future. In the midst of all this, Anders is silent and alone, imaginatively getting glimpses of people's lives. His facial expressions and body language are fairly subtle, yet -- aided by the brilliant cinematography in this scene -- they speak volumes.
This is not a movie that will appeal to a viewer looking for sheer entertainment. However it is an honest, compassionate film and an excellent study of despair, regret, and the struggle between fear and longing. It shows the ability of depression and addiction to narrow our range of vision, so we can't see outside our own misery, and the difficulty of facing past mistakes and breaking away from old scripts.
I highly recommend this film to viewers who enjoy character-driven psychological movies. I was thoroughly drawn in by the writing, acting, and directing, and this is probably one of the best portrayals of addiction I've seen so far.
Posted by Anonymous at 6:14 AM
Labels: Anders Danielson Lie, Depression, Drug Addiction, Grief, Guilt, Joachim Trier, Norway
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Yay, so glad you saw this film. I really love it. Such an intimate performance, great script and cinematography. Great review. :)ReplyDelete
Thank you! I absolutely agree about the intimate performance, script, and excellent cinematography. I'm surprised I'd never heard of this movie. My daughter and I stumbled across it on Netflix Instant and decided to give it a go. It's definitely a gem.Delete
I will have to check this one out, heard great reviews for it coming out of the Melbourne Film Festival.ReplyDelete
Thanks! I hope you do get a chance to see it.Delete
Wonderful review! I loved the film, but it's definitely not for everyone. It will almost certainly be on my top 10 of the year list.ReplyDelete
Also, it's sad that Anders Danielson Lie's powerful performance will get no major awards consideration. :(
Josh, I am excited that you loved this movie as much as I did. You're one of the few people I know who has even seen it. I hope you'll review it -- I'd love to hear your thoughts.Delete
I hadn't planned on it, but I might review in the upcoming week then. :)Delete
Ah great review, and also wise to caution that, no, this isn't a film for those seeking pure entertainment. (At all. Ha.)ReplyDelete
And I also agree that this contains one of the finest portrays of drug addiction I've ever seen. Poor guy had it bad, and almost didn't really care. Very sad, very telling.
Thanks! I agree that it seemed he didn't care. I've seen the same thing in "real life" recovering addicts -- early recovery is rough, fraught with anger, depression, hopelessness, and -- often -- a hefty dose of just not giving a shit. The sad thing was, this guy was never going to get past this point. Early in the movie I thought there might be hope for him, even if he didn't have hope for himself. Even after his half-assed suicide attempt. But it was a quick downward spiral, with viewers gleaning more and more insight into just how bleak his internal world really was.Delete
Ah, I couldn't agree more. He really never was going to get past it. Damn shame. Whatta film here.Delete