A family vacation takes an ugly turn when four armed men invade a fishing camp. The heroine of this story is Alison, a quiet, bookish middle-aged mom and schoolteacher. She doesn't think of herself as a hero, and she certainly doesn't see herself as someone who would kill to protect her loved ones. But when she sees her nine-year-old son Jimmy in danger, she discovers more courage and resilience than she imagined she had. She also finds an unexpected ally in her battle.
Showing posts with label Motherhood. Show all posts
Showing posts with label Motherhood. Show all posts
Tuesday, January 29, 2013
Book Review: Primal by D.A. Serra
A family vacation takes an ugly turn when four armed men invade a fishing camp. The heroine of this story is Alison, a quiet, bookish middle-aged mom and schoolteacher. She doesn't think of herself as a hero, and she certainly doesn't see herself as someone who would kill to protect her loved ones. But when she sees her nine-year-old son Jimmy in danger, she discovers more courage and resilience than she imagined she had. She also finds an unexpected ally in her battle.
Saturday, January 12, 2013
Film Review: Oranges and Sunshine
Year Released: 2010
Written by: Rona Munro, based on Empty Cradles, a nonfictional book by Margaret Humphreys
Directed by: Jim Loach
My Rating: 4/5 Stars
Labels:
Australia,
Britain,
Child Abuse,
David Wenham,
Emily Watson,
Grief,
Hugo Weaving,
Jim Loach,
Lorraine Ashbourne,
Margaret Humphries,
Motherhood,
Post Traumatic Stress,
Richard Dillane,
Rona Munro
Tuesday, January 1, 2013
Film Review: Some Mother's Son
Year Released: 1996
Written by: Terry George & Jim Sheridan
Directed by: Terry George
Review by: Steph
My Rating: 4.5/5 Stars
Labels:
Aidan Gillen,
Britain,
David O'Hara,
Fionnula Flanagan,
Gerard McSorley,
Grief,
Helen Mirren,
Ireland,
Jim Sheridan,
John Lynch,
Motherhood,
Social Injustice,
Terrorism,
Terry George,
Troubles in Ireland
Thursday, August 30, 2012
Book Review: We Need to Talk About Kevin by Lionel Shriver (Possible Spoilers)
My Review of the Film Adaptation
Eva was a successful businesswoman and author as well as a wife and mother of two children. Now she is estranged from her husband and daughter. Her son Kevin is incarcerated, in the wake of a school shooting, for a series of brutal murders, Eva's world is cold and narrow. Her only real communication with anyone is through letters she writes to her husband, Franklin.
In this epistolary novel, Eva reflects on Kevin's history, starting before conception, leading to his becoming a vicious psychopath. She explores her own culpability in who he became, along with her conflicted relationship with Franklin.
From conception and birth, Eva was unable to bond with Kevin. Ambivalence about motherhood and the changes it would bring to her life, postpartum depression, an unsuccessful attempt to breastfeed, and the exhaustion that goes with comes with a baby who cries incessantly -- these are all normal experiences. Things many women have gone through before becoming basically happy moms who are madly in love with their children. But for Eva, this becomes a slippery slope, and things only become worse.
During her retelling of Kevin's earliest years, I felt trapped in Eva's mind, only able to see things from her perspective, and I suspected she was an unreliable narrator. I could only see things through the filter of Eva's memory, shaped by her own pain, frustration, and rage and by her knowledge of who Kevin became. She saw an infant who cried, not because of colic but because he raged at the world. A newborn who deliberately and vigorously rejected her breast. A toddler who slyly played his parents against one another and refused to be potty trained because he'd be losing a battle against the mother he hated. These perceptions are incredibly warped, not to mention developmentally impossible. Yet the novel drew me so tightly into the confines of Eva's reality that these things seemed quite real. And as Kevin grew into a cold, calculating boy, with an urge to destroy anyone who was capable of feeling real joy or passion, parts of it began to seem believable. Or did it? The line between delusion and reality is blurred here.
Would it have made a difference if Eva had been able to love her son? There is no clear answer. They are caught in a vicious cycle. Her attitude undoubtedly impacts his behavior and view of the world. His behavior triggers her rage and prevents her from bonding with him. This, in turn, deepens his hostility. They are locked in a cruel cycle which we know will end tragically. Nevertheless Eva, who has always relished pushing herself to tackle daunting challenges, works hard at being a conscientious mother.
In a parallel way, Eva and her husband Franklin are trapped in a destructive dance. Franklin is in denial about the fact that his son is deeply troubled. This enrages Eva, who pushes him to see things from her perspective. This only makes Franklin more fiercely protective of Kevin and distrustful of his wife. They have another baby, who becomes "Eva's child," and Franklin keeps their little girl at a distance, adding to the dysfunctional mess.
I didn't find Eva and Franklin to be likeable characters. They struck me as self-absorbed, a bit pedantic, and riddled with prejudices. Eva seldom views people with acceptance and compassion, she tends to view the world with cold detachment, and she maintains a slight sense of intellectual superiority. One of the most chilling and powerful aspects of this novel is the ways in which Eva and Kevin -- despite their animosity -- identify with each other. In her hauntingly sadistic son, Eva sees -- in an exaggerated way -- a mirror of her own dark side.
How much of this is her basic nature and to what degree is her personality painfully mutated by the tragedy she suffered? Again, we only have her perspective in the present, so it's hard to say. I also felt drawn to Eva by the insight and compassion she sometimes feels, her intense intelligence and curiosity about the world, and her love for her husband and daughter. She's a complex character who I couldn't love, or even consistently empathize with, but I certainly couldn't dismiss. And she is a character I will never forget.
This is a dark, miserable story which is likely to make you lose sleep, especially if you're a mother. That goes double if you're the mother of a child with any kind of emotional problems. And it's a brilliant novel. The central characters, and the themes this book explores, are so incredibly rich and multi-layered, it may take me months to sort through all my thoughts about it.
One of the things that makes it so unsettling is that it explores issues experienced -- on a much smaller scale -- by many parents. Difficulty bonding with a child. Raising a kid who isn't the child you expected or wanted. Seeing parts of yourself you reject mirrored in your own children. Disappointment in yourself as a parent and crippling guilt when their lives don't turn out as you'd hoped. These things sound ugly when you say them aloud, but I believe shades of these feelings exist in many "normal," loving parents.
This book also gave me insight into people with personality disorders: antisocial or borderline personalities. Eva seemed to have uncanny insight into the mind of her son, a person who seemed innately incapable of ordinary love, excitement or joy. This left him hollow and driven by rage. It's probably impossible to really see inside the mind of someone like Kevin, but there were moments -- in this novel -- when I felt I was extremely close.
This is a novel that left me feeling ragged. I want to put it out of my mind, and at the same time I don't want to stop thinking about it. I don't want to talk about it, and I'm burning to discuss it with someone. I want to see inside Kevin's and Eva's minds, but it's too unsettling.
Above all, it's a gorgeously written, challenging novel, probably one of the best I've ever read, and it's one of those rare books that shifted my view of people and of the world a little bit. It's definitely one I will never forget.
Have you read this book? If so, what are your thoughts?
Labels:
Dysfunctional Families,
General Fiction,
Grief,
Guilt,
Lionel Shriver,
Motherhood,
School Shooting,
Sociopath,
Violent Children
Thursday, May 3, 2012
Saving Sammy: The Boy Who Caught OCD by Beth Alison Mahoney

Saving Sammy: Curing the Boy Who Caught OCD is Beth Alison Maloney's memoir about her pre-teen son's struggle with an unusual form of obsessive compulsive disorder. In a lovely, eloquent writing style that flows like a good novel, she tells her story. With close attention to the cycles of nature, the author paints vivid details that take you through all the seasons in coastal Maine. And with the same attention to detail, she makes her family's day-to-day experiences tangibly and heart-wrenchingly real.
When 12-year-old Sammy began to have trouble coping, Beth attributed it to his adjustment to the transitions in their lives. Beth, an attorney and devoted single mom, had moved from California to Maine with her three sons a year earlier. They were now in the process of moving from their beloved rental house by the sea into the new home she'd purchased. So when Sammy started developing odd compulsions, she believed "this too shall pass."
However, his compulsions increased exponentially, and he suffered constant, debilitating anxiety. Each day, he went through a series of complicated rituals. It began with drinking the same five juices, one after another, each morning. He had to complete a series of complicated motions every time he entered the bathroom or came into the house. These included swirling his legs, ducking, crawling, rolling his head on his neck, stepping sideways, or high-stepping over invisible walls. He avoided mats, doors, and faucets, and he couldn't shower or brush his teeth. He had difficulty touching anything or being touched, and even casual hugs were impossible. He couldn't attend school, and he rarely met friends or enjoyed outside activities. His condition eventually took over the family's entire life.
Sammy was treated, with psychoactive drugs, for the chemical imbalance that is presumed to cause OCD. However, the medications didn't help. Thus began a long journey through psychiatrists, neurologists and other specialists. With fierce dedication, Beth researched his condition. As options dwindled, she faced every mom's worst nightmare. She watched her son, worn down by fear, anxiety, and isolation, begin to lose hope.
Eventually, Beth did get some hard-won answers. She heard about a condition called PANDAS in which OCD can be caused by exposure to strep throat, even if the child was asymptomatic and even if there was a negative strep throat culture. At this point the long trip to recovery began.
Obsessive-compulsive disorder in children is a topic very close to my heart. Most parents of kids with mental illness and other challenges won't find a clear-cut medical answer or a "cure." Nevertheless, I think all parents of kids with complicated needs will connect deeply with this book. Beth Maloney does an amazing job of recreating the struggles many families with challenges face: the social isolation of not being able to participate in "normal" activities, the heartbreak of seeing ones child suffer, and the all-consuming need to uncover some answers. Her passionate love for her sons shines through on every page, and I believe this is a book all parents will connect with. I highly recommend this both as an lovely memoir and a way to spread the word about a typically misunderstood and misdiagnosed condition.
Read more reviews of this book:
Diane at Bibliophile by the Sea
MostlyFiction Book Reviews
Susan at Bloggin' About Books
Rating: 4
5- Cherished Favorite | 4 - Keep in My Library | 3 - Good Read | 2 - Meh | 1 - Definitely Not For Me |
Saturday, April 7, 2012
Where the Heart Is by Billie Letts

This novel has been sitting on my shelf for years, and -- as a treat -- I curled up on the couch and read it this week. It is different from any other novel I've read.
Novalee Nation is a seventeen-year-old pregnant tenth-grade drop-out, traveling through Oklahoma, when her boyfriend abandons her on the road like a stray dog. Raised in trailer park foster homes, she yearns for a real house -- one "not on wheels" -- and a family.
Gradually, she gets to know the quirky residents of Sequoyah, Oklahoma. Sister Husband is a compassionate recovering alcoholic who takes Novalee in when she's homeless. Benny Goodluck is a shy native American boy. While he plays a small part in the book, his heart and spirit are interwoven throughout the story. Lexie Cooper survives a series of bad relationships and is left with many children. Forney Hull is an eccentric librarian, dedicated to caring for his alcoholic sister. He opens Novalee's life to books. Moses Whitecotton, a kind, fatherly photographer, helps her discover a new passion that will eventually blossom into a career.
Meanwhile, Willy Jack Pickens, the father of Novalee's child, has abandoned her without looking back. He goes on to use and abuse more people that he meets, land in jail, and write a popular Country-Western song. His story runs parallel to Novalee's, and their lives intersect again in an unexpected way.
I loved Novalee, and was sorry to say goodbye to her when the book ended. She was believable and human, yet she transcended any stereotypes of young single mothers. Overall, I had mixed feelings about the novel. I enjoy books with interesting, quirky characters; after all, Anne Tyler is one of my favorite writers. However, I feel novelists often go overboard with odd characters. At times, I felt this way about Where the Heart Is. There was a woman who conversed with her dead husband, a couple who lived on opposite sides of a duplex because they couldn't agree on anything, and a man whose only dialogue was to parrot what others said. They seemed like cardboard cutouts of colorful characters, drawn to add color to the book. I would have liked it better if the author had relied on the strength of her story and the unique, memorable central characters to whom she gave real substance.
Nevertheless, this was a rich novel with characters whose company I enjoyed. I will probably read this author's other novels, The Honk and Holler Opening Soon, Made in the USA and Shoot the Moon.
Rating: 3.5
5- Cherished Favorite | 4 - Keep in My Library | 3 - Good Read | 2 - Meh | 1 - Definitely Not For Me |
Monday, March 12, 2012
Time of My Life by Allison Winn Scotch

I have a persistent fantasy about traveling back in time and changing the past. If I timed it just right, could I make sure not to prevent the conception of my youngest child, but still have time to try to prevent my mom's premature death? What if I could go back and hold my babies again? Prevent some of the mistakes we made with them? Hell, I'd even be happy to have fifteen minutes to give my younger dumbass self a serious talking to and some good advice. :-D
Given my fascination with this topic, it's not surprising that I picked up Time of My Life, a story of a woman who gets to go back seven years and try again. Jillian is a highly driven, perfectionistic career woman turned full-time mom. Her marriage to her hubby, Henry, has gotten suffocatingly dry. Even though she adores her eighteen-month-old daughter Katie, she feels trapped in a life she's not sure she wants. When a friend tells her that her ex-lover Jackson just got married, she cries -- crying for her old life, her past romance, the one that got away.
Suddenly she finds herself seven years younger and living with Jackson, shortly before her relationship with Jack unravels and she meets Henry. She is an advertising executive on the cusp of success. This is an opportunity to try again -- using what she's learned through hindsight to make this relationship work and make her career more successful than ever. She also gets another chance to decide whether to contact her mother, who disappeared from her life when Jillian was nine, leaving agonizing wounds.
On one level, this is a fun time-travel story, but it is really a novel about the complexity of relationships and emotions. As she relives her old life, Jillian finds time to think about her relationships with both Jackson and Henry and unravel the complicated tangle of love, passion, disappointment, and resentment she feels for both men. She must also come to terms with the fact that in going back in time, she left her own beloved daughter behind. She looks at the mother-child relationship in an unflinchingly honest way -- it is an amazing kind of love, but at the same time it's unpredictable and overwhelming. This brings up her unresolved feelings toward her own mom. Can she find a way to see the mother who abandoned her, "ruining" her life, in a new light?
I had mixed feelings about this novel. In terms of the character development and dialogue, while it was enjoyable, it didn't dazzle me. On the other hand, the writing was beautiful -- articulate, honest and funny. And I thought the author brilliantly tackled some challenging themes, including memory and how deceptive our recollections can be. The novel also explores the many layers of relationships and the roles women play: daughter, wife, and mother. It looks at the ambivalent feelings we have toward people we love and the different angles from which we see those closest to us at different points in our lives.
I highly recommend this book, both as a fun, light read and a thought-provoking novel about memories, regrets, relationships and life choices.
Read More Reviews:
Bookfan
The Zen Leaf
Crazy for Books
Hey Lady! Watcha Readin'?
Book, Line and Sinker
S. Krishna's Books
Reading With Monie
Planet Books
Rating: 3.5
5- Cherished Favorite | 4 - Keep in My Library | 3 - Good Read | 2 - Meh | 1 - Definitely Not For Me |
Labels:
Allison Winn Scotch,
General Fiction,
Motherhood
Tuesday, January 24, 2012
Blood Orange by Drusilla Campbell

Dana Cabot escaped her lonely childhood and married the man of her dreams. Now her husband David, a football quarterback turned defense attorney, is a workaholic. Most of Dana's life is focused on their beloved 7-year-old daughter, Bailey, who has special needs. Dana is trying to salvage bits of her former life, when she was a doctoral candidate in Art History. Then Bailey disappears from their home. Dana suspects it happened because of David's involvement in a high profile, controversial case -- he's defending a man who may have brutally murdered a child. Their marriage is unraveling, and Dana is hiding secrets of her own.
This author writes skillfully, using artful turns of phrase which I enjoyed. She effectively explored the ambivalence felt by a mother who's put her own life on the back burner to care for a high-needs child. Many women will be able to relate to Dana's struggles with motherhood. I could truly feel how lovely and delightful Bailey is, and also how exhausting she can be. Drusilla Campbell also did an outstanding job of showing us the point when the seismic cracks in a marriage begin to open and everything begins to crumble.
All these strengths, along with Dana's passion for early Italian Renaissance art and a few glorious glimpses of Florence, sweetened what was otherwise a disappointing mystery/thriller. For one thing, I found both Dana and David supremely unlikeable. I really wanted to connect with them; these are parents faced with the possibility of losing a beloved child forever -- how could they not find a place in my heart? But I found David incredibly manipulative and controlling. Both he and Dana are tremendously selfish, and I found their values shallow. I tried to at least care about Dana, but as I watched her do one monumentally stupid thing after another, my empathy withered. As for the mystery itself, it revolved around several twists which were entirely too predictable, plus several implausible scenarios.
On the positive side, Campbell is a talented writer, and she explored the themes of loss, betrayal, guilt, and forgiveness in a compassionate way. She also offered several interesting secondary characters, including Lexy, a recovering alcoholic and professional model turned priest. She's an intelligent character with an edge, and I enjoyed her reflections on faith and what it means to do Christ's work. How many of us are willing to take an unflinching look at ourselves and require ourselves to truly love our fellow humans unconditionally? That takes tremendous strength, and it's at the heart of spiritual growth.
While this book, as a whole, didn't work for me, I was impressed with this author's abilities and will probably read more of her work. And I hope she'll return to the themes of motherhood, marriage, guilt, and forgiveness in other novels.
Read More Reviews: Book Addiction; The Lovely Wife
Rating: 3
5- Cherished Favorite | 4 - Keep in My Library | 3 - Good Read | 2 - Meh | 1 - Definitely Not For Me |
Labels:
Drusilla Campbell,
Motherhood,
Mystery or Suspense
Tuesday, January 10, 2012
A Home at the End of the World by Michael Cunningham

Jonathan and Bobby have been friends since seventh grade. Both were deeply marked, before they met, by losses and family pain. Their parents seem disconnected from their own lives. Bobby's father is an alcoholic. Jonathan's father lives in movies, spending virtually every waking hour in his failing movie theater, and his mother seems misplaced in her own skin. This sense of detachment is captured beautifully here, right after Jonathan's mother suffers a horrible loss:
I glanced at my mother. She was not crying. Her face was drained not only of color but of expression as well. She might have been a vacant body, waiting dumbfounded to be infused with a human soul. (p. 14)Bobby and Jonathan come together, spending hours immersed in drugs and music. Their relationship is complicated -- are they like friends, brothers, or lovers? Later they come together as adults, sharing a life with Claire, a slightly older woman who dyes her hair vibrant orange and ekes out a living making jewelry from odd things, finding beauty in bits other people leave behind.
Claire and Jonathan fantasize about having a baby together, although Jonathan is gay. When Bobby comes into their lives, they all find themselves in love with each other, in an intense but messy, complicated way, and form an unconventional family. I started this book before I'd even left the library, and I was immediately pulled in by the author's gorgeous writing and keen eye for the telling minutiae of daily life. I was hooked from the first paragraph:
(narrated by Bobby) Once our father bought a convertible. Don’t ask me. I was five, He bought it and drove it home as casually as he’d bring a gallon of rocky road. Picture our mother’s surprise. She kept rubber bands on the doorknobs. She washed old plastic bags and hung them on the line to dry, a string of thrifty tame jellyfish floating in the sun. Imagine her scrubbing the cheese smell out of a plastic bag on its third or fourth go round when our father pulls up in a Chevy convertible, used but nevertheless—a moving metal landscape, chrome bumpers and what looks like acres of molded silver car-flesh. He saw it parked downtown with a For Sale sign and decided to be the kind of man who buys a car on a whim. We can see as he pulls up that the manic joy has started to fade for him. The car is already an embarrassment. He cruises into the driveway with a frozen smile that matches the Chevy’s grille. (p. 1)As I got further into the book, I was a bit disappointed. The story is told by four different characters, but everyone's narrative sounds the same. The use of different points of view allowed us to hear the story from different perspectives, but it didn't establish each character as a unique person with his own way of thinking and speaking. And the slow, thoughtful, lyrical language, which I usually savored, sometimes gave me a sense of walking underwater; it felt slow and heavy. I started wishing the author had varied the style and pace a bit more.
Nevertheless, I couldn't help loving this book. Though I wished each person had a unique voice, I adored the writing and the characters were richly developed. They were deeply flawed, complicated, and so painfully real it was a bit unsettling. The author explored human relationships, and the myriad kinds of intimacy we seek, compassionately but with brutal honesty. We see all kinds of sexual relationships, both straight and gay, from a casual encounter in a bar to a lifelong marriage. They are not blissful or passionate nor are they meaningless. They are complicated -- full of mixed emotions. We see glimmers of real passion, mixed with awkwardness, detachment, dislike, and moments of deep tenderness. Various relationships, between spouses, lovers, friends, parents and children, are explored this way -- it seems incredibly real. For this alone, Michael Cunningham has won a permanent place in my heart. One of my favorite parts was about a character, who has been adrift most of her life, adapting to motherhood:
I never expected this, a love so ravenous it's barely personal. A love that displaces you, pushes you out of shape. I knew that if I was crossing the street with the baby and a car screamed around the corner, horn blaring, I'd shield her with my body. I'd do it automatically, the way you protect your head or heart by holding up your arms. You defend your vital parts with your tougher, more expendable ones. In that way, motherhood worked as promised. But I found that I loved her without a true sense of charity or goodwill. It was a howling, floodlit love; a frightening thing. (p. 274)The three-way relationship between Jonathan, Bobby, and Claire, flawed as it was, intrigued me. Love definitely comes in unexpected forms. I saw an interview with Robin Wright, who played Claire in the movie adaptation. (Gotta love special features) She felt an important point, in Claire's relationship with these two men, was that no one person can be everything you need. Even as a person who's embraced lifelong monogamy, I agree with this. To expect a spouse or lover to fulfill all your needs is a recipe for failure. We glean different things we're seeking, often without consciously realizing it, from many people -- partners, friends, parents and children.
This novel delves into many other themes. One of the things that fascinated me most was how it explores death and the relationship between the living and the dead. One character mindfully absorbs a dead loved one into his own mind and personality, while another lays his late father to rest and tries to move on. It looks at the burgeoning AIDS academic in the 1980s and how it ravaged the gay community. This novel also explores coming of age, people's detachment from their own lives, and our yearning to find a lasting home and a sense of belonging.
This is a gorgeous, though flawed, novel about the complexity of human relationships. I am excited to have found a new-to-me author with a tremendous literary gift and sharp insight. I want to read more of his work. Next I'll try The Hours, but not until I've re-read Virginia Woolf's Mrs. Dalloway, because these seem like two books that should be paired. Then I'll finally watch the movie adaptation of The Hours.
Note: I saw the movie adaptation of A Home at the End of the World recently, and I expected to love it. Quirky characters and complicated relationships are an easy sell with me, not to mention all that 70s and 80s music. Though the story thoroughly held my interest and I really liked the acting, I was underwhelmed -- I'm not sure why. Maybe there's just so much under the surface of this story that's difficult to capture on screen, even in the hands of gifted actors?
Read More Reviews: Kristina's Book Blog; Bibliolatry
Rating: 4.5
5- Cherished Favorite | 4 - Keep in My Library | 3 - Good Read | 2 - Meh | 1 - Definitely Not For Me |
Labels:
Alcoholism,
Coming of Age,
Dysfunctional Families,
Grief,
LGBTQ Issues,
Michael Cunningham,
Motherhood
Thursday, January 5, 2012
A Thread of Sky by Deanna Fei

Irene's three daughters were grown up; the youngest, Sophie, was about the graduate from high school, when her husband Bill walked out, "needing a break." Irene said something when he left, words of bitterness and hurt, which she came to regret when Bill died in a tragic accident. These words drove a wedge between Irene and her daughters. Now, at 55, she finds herself alone, desperate to reconnect with her children.
Daughter of a Taiwanese feminist and revolutionary, who immigrated to America after fleeing civil war, Irene was raised to be an exceptional woman at all costs. Irene became a biologist, immersed in important research that might solve the riddle of Alzheimer's Disease. Yet she was torn between her career and motherhood.
Her mother, Lin Yulan, lives across the country. They are separated by a rift caused by Lin Yulan's expectations of her daughter. Twenty years ago, at age 60, Lin Yulan left her chronically unfaithful husband, and she harbors deep secrets about what she suffered in China.
The legacy of needing to be an exceptional woman, beyond all else, filtered down to Irene's daughters, all high achievers. Nora, now in her late 20s, is a successful financial trader. She overcame a professional subculture of sexism and racism to be respected by her male colleagues. She's in a difficult relationship with her live-in boyfriend, terrified to compromise or commit to him. Kay, in her mid 20s, is living in deplorable conditions in a Chinese dormitory, determined to learn her ancestral language and reclaim her Chinese identity. She drifts among three different men, never settling into a real relationship, and tries to rescue Chinese prostitutes from sexual exploitation. Sophie just graduated from high school. A brilliant student and artist, she has won acceptance to Stanford. She struggles with her relationship with her mother, her attachment to her African American boyfriend, who seems to sincerely love her, and an eating disorder.
On New Year's Eve, Irene reaches out to her sister Susan. A professor and poet who "sees life in moments," focusing on "life crystallized" and ignoring the narrative, the cause and effect, Susan is very different from her sister. Irene plans a trip for herself and her daughters, Susan, and Yu Lin. Ironically they find themselves in their ancestral country on a packaged tour, buying overpriced souvenirs and not understanding the language. There is a great deal of awkwardness, misunderstanding, and frustration among the six women. But in the end, they've achieved something -- not reconciliation, but a bit more acceptance.
Deanna Fei's narrative shifts among six points of view, speaking in the voice of each of these women. Her characters are well drawn, and she does a magnificent job of seeing the world through the eyes of women in three different generations. I was absorbed by the aspirations, fear of intimate commitments, and confusion navigated by gifted, ambitious women in their twenties. I was also captivated by the hopes and losses of midlife and the challenges of old age, when one has a rich history but few people alive who were there with you to bear witness.
This story has many layers. It reflects both the prejudices toward and high expectations of Chinese Americans. In her review, Amy Finnerty of the New York Times, wrote: "It is to Deanna Fei’s credit that she so squarely and honestly takes on a misunderstood ill — the burden of the so-called model minority." It explores Chinese history, including the legacies of the revolution and the tragic holocaust under Japanese occupation. This novel also looks at the complexity of women's issues. Kay is inspired by her grandmother's feminist revolutionary past. She scours personal ads, preparing to rescue Chinese women from exploitation.
"Handsome European male fluent in English and Chinese would like to meet Japanese and Korean girls. NO SPEAK ENGLISH? O.K. I LIKE YOU. WE HAPPY" ... These women couldn't understand how what seemed like romance, or at least mutual attraction, was shameless capitalization; or the historical context of Orientalism; or the subtext of those English ads -- how, for starters, that "Handsome European male" preferred his Asian women inarticulate, if not voiceless; or how such presumptions coiled around people, until they no longer knew how their own identity had been constricted. (pp. 72-73)Then she discovers the sexually "exploited" women she reaches out to don't want to be rescued, and glimpses the reality that this issue is more complex than she had imagined. For these women, paradoxically, prostituting themselves offers an unprecedented kind of freedom.
Similarly, Deanna Wei captures the complexities of both traditional marriage and modern relationships and of the struggle between a woman's career, and her drive to make a mark on the world, and her desire to be in a "safe" intimate relationship and raise children. She respects her readers enough not to suggest easy answers. And the characters she portrays -- both male and female -- are flawed, vulnerable, and vividly real.
Q & A with the Author: Adoption. Et cetera.
Read More Reviews: Largehearted Boy (includes the author's music playlist for this novel); Book Addiction; Daisy's Book Journal
Rating: 4.5
5- Cherished Favorite | 4 - Keep in My Library | 3 - Good Read | 2 - Meh | 1 - Definitely Not For Me |
Labels:
China,
Chinese Revolution,
Deanna Fei,
Gender Issues,
Grief,
Historical Fiction,
Motherhood,
World War II
Tuesday, December 13, 2011
In The Bedroom by Andre Dubus With Movie Tie In
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Introduction In the Bedroom is a collection of short stories by Andre Dubus. Sarah and I read "The Killings" and watched the movie adaptation of that short story, titled In the Bedroom, as part of our ongoing study of short stories and cinema. By then, I was hooked, and I read the rest of the short stories in the collection. Wow! I'll discuss the entire collection and the movie later in this post. In "The Killings" (excerpt here) a young man is murdered. This is not a spoiler, because we're told this in the first line of the story. His father focuses on revenge, which doesn't give him the closure -- or the release from his anger -- that he'd hoped for. It's a dark, disturbing story that offers no redemption and no easy answers. Sarah called it an "anti-redemption" story.
Andre Dubus Dubus (pronounced so it rhymes with "excuse") is a fascinating author. Violence and tragedy, particularly gun-related violence, are tremendously important themes in his work. His sister was raped when she was young. This triggered years of terror over his loved ones' safety. Dubus carried guns to protect himself and those around him, until one night, in the late 1980s, he almost shot a man in a drunken argument outside a bar. In his New Yorker essay "Giving up the Gun," he describes that night as a turning point -- after that, he wisely decided to stop arming himself.
Dubus spent six years in the Marine Corps, achieving the rank of captain, and earned an MFA in Creative Writing. In 1986, he was seriously injured in a car accident. He stopped to help two injured people, Luis and Luz Santiago. As he helped Luz to the side of the highway, an oncoming car swerved and hit them. Luis was killed instantly, and Luz survived because Dubus pushed her out of the way.
Dubus was critically injured, and later had his left leg amputated above the knee. He used a wheelchair for the rest of his life. He struggled with constant pain and debilitating depression. And his third wife left him, taking their two young daughters. However, his experiences with his disability led to his becoming a more prolific writer, as well as a successful professor and lecturer, and it deepened his religious faith. He died of a heart attack in 1999.
(Sources: Wikipedia article; Spiritus Temporis article)
The In the Bedroom Collection
In Dubus's biography, one finds many of the themes reflected in the stories in In the Bedroom: relationships, love, fatherhood, divorce, religion -- specifically Catholicism -- guilt, and the unsatisfied yearning for redemption.
Most of these stories are primarily character-driven. Plots seem to rise casually from the character descriptions; it's a bit like a story overheard in a bar. At times, readers are lulled by the gently unfolding character development, then we're slammed into a brick wall when a shocking event occurs.
Dubus writes in a unique style, with long, rambling run-on sentences which would have me pulling my hair out if I found them in my students' work. :-) However, this style fits his stories, which have a strong introspective quality. It's not stream of consciousness -- it's often not even written in first person -- but it's something close. And I soon adapted to his style and grew to love it.
The thing I like best about his work was the way he creates characters who are deeply flawed, yet worthy of compassion and respect. The two stories I found the most compelling, "Rose" and "A Father's Story," were agonizing for the same reason they were powerful. I saw the main characters doing, or not doing, things that were horrifying and unthinkable, yet at the moment, I completely understood why they acted as they did.
Dubus's probing but compassionate eye for his characters and his honest exploration of love, sexuality, and spirituality are, above all, what make these works unforgettable for me. He also used imagery skillfully. With a few expertly crafted lines, he could clearly conjure a landscape or connect me to the rhythms of nature. And glimpses of nature, particularly the ocean, often appear in metaphors. There were many times when I stumbled on a gorgeous passage that I wanted to tuck away, like a jewel, to admire later.
More About the Stories "Killings" -- As I mentioned, this story is about a bereaved father's quest for revenge. God, this is a heart-wrenching story, and you scarcely even know the characters, nor do you see the bloodshed. Grief and revenge are powerful themes. Dubus's exploration of grief, along with his reflections on marriage and fatherhood, are what I loved best about the story, and they are among the things he does best.
"Rose" -- This story begins with a 51-year-old man ruminating as he frequents a neighborhood bar. We come to know the narrator, an intelligent, articulate ex-military man, then we realize he has come to us primarily as a storyteller. He guides us into a story told to him in the bar by Rose, a worn down working class woman with a broken spirit.
"Delivering" -- A pre-teen boy goes through daily routines with his younger brother, occasionally showing a bit of cruelty, after the violent break-up of his parents' marriage.
"A Father's Story" -- This is a tale of love, guilt, and forgiveness, and it's also a story about finding meaning in quotidian life. A divorced father is driven to make a difficult choice to protect his adult daughter. I will leave you to discover it for yourself. I will just add that it delves heavily into religion and spirituality, and I enjoyed the Catholic narrator's perspective on religion, which combines a love of ecclesiastical rituals with a rejection of the material trappings of organized religion.
The Cinematic Connection This is the first full-length film Todd Field directed, and it is a good one, though not for the faint of heart. In this adaptation of "Killings," which is a very short piece, the original story and characters are changed and expanded to fit a feature length movie. And the focus of the story changes from being about a father's choices and internal struggle to being about the relationship between him and his wife.

As Roger Ebert said, in his 4-star review:
Rating: 4.5

Introduction In the Bedroom is a collection of short stories by Andre Dubus. Sarah and I read "The Killings" and watched the movie adaptation of that short story, titled In the Bedroom, as part of our ongoing study of short stories and cinema. By then, I was hooked, and I read the rest of the short stories in the collection. Wow! I'll discuss the entire collection and the movie later in this post. In "The Killings" (excerpt here) a young man is murdered. This is not a spoiler, because we're told this in the first line of the story. His father focuses on revenge, which doesn't give him the closure -- or the release from his anger -- that he'd hoped for. It's a dark, disturbing story that offers no redemption and no easy answers. Sarah called it an "anti-redemption" story.
Andre Dubus Dubus (pronounced so it rhymes with "excuse") is a fascinating author. Violence and tragedy, particularly gun-related violence, are tremendously important themes in his work. His sister was raped when she was young. This triggered years of terror over his loved ones' safety. Dubus carried guns to protect himself and those around him, until one night, in the late 1980s, he almost shot a man in a drunken argument outside a bar. In his New Yorker essay "Giving up the Gun," he describes that night as a turning point -- after that, he wisely decided to stop arming himself.
Dubus spent six years in the Marine Corps, achieving the rank of captain, and earned an MFA in Creative Writing. In 1986, he was seriously injured in a car accident. He stopped to help two injured people, Luis and Luz Santiago. As he helped Luz to the side of the highway, an oncoming car swerved and hit them. Luis was killed instantly, and Luz survived because Dubus pushed her out of the way.
Dubus was critically injured, and later had his left leg amputated above the knee. He used a wheelchair for the rest of his life. He struggled with constant pain and debilitating depression. And his third wife left him, taking their two young daughters. However, his experiences with his disability led to his becoming a more prolific writer, as well as a successful professor and lecturer, and it deepened his religious faith. He died of a heart attack in 1999.
(Sources: Wikipedia article; Spiritus Temporis article)
The In the Bedroom Collection
In Dubus's biography, one finds many of the themes reflected in the stories in In the Bedroom: relationships, love, fatherhood, divorce, religion -- specifically Catholicism -- guilt, and the unsatisfied yearning for redemption.
Most of these stories are primarily character-driven. Plots seem to rise casually from the character descriptions; it's a bit like a story overheard in a bar. At times, readers are lulled by the gently unfolding character development, then we're slammed into a brick wall when a shocking event occurs.
Dubus writes in a unique style, with long, rambling run-on sentences which would have me pulling my hair out if I found them in my students' work. :-) However, this style fits his stories, which have a strong introspective quality. It's not stream of consciousness -- it's often not even written in first person -- but it's something close. And I soon adapted to his style and grew to love it.
The thing I like best about his work was the way he creates characters who are deeply flawed, yet worthy of compassion and respect. The two stories I found the most compelling, "Rose" and "A Father's Story," were agonizing for the same reason they were powerful. I saw the main characters doing, or not doing, things that were horrifying and unthinkable, yet at the moment, I completely understood why they acted as they did.
Dubus's probing but compassionate eye for his characters and his honest exploration of love, sexuality, and spirituality are, above all, what make these works unforgettable for me. He also used imagery skillfully. With a few expertly crafted lines, he could clearly conjure a landscape or connect me to the rhythms of nature. And glimpses of nature, particularly the ocean, often appear in metaphors. There were many times when I stumbled on a gorgeous passage that I wanted to tuck away, like a jewel, to admire later.
More About the Stories "Killings" -- As I mentioned, this story is about a bereaved father's quest for revenge. God, this is a heart-wrenching story, and you scarcely even know the characters, nor do you see the bloodshed. Grief and revenge are powerful themes. Dubus's exploration of grief, along with his reflections on marriage and fatherhood, are what I loved best about the story, and they are among the things he does best.
It seemed to Matt ... that he had not so much moved through his life as wandered through it, his spirit like a dazed body bumping into furniture and corners. He had always been a fearful father: when his children were young, at the start of each summer he thought of them drowning in a pond or the sea, and he was relieved when he came home in the evenings and they were there; usually that relief was his only acknowledgment of his fear, which he never spoke of, and which he controlled within his heart ... and then he lost Frank the way no father expected to lose his son, and he felt that all the fears he had borne while they were growing up, and all the grief he had been afraid of, had backed up like a huge wave and struck him on the beach and swept him out to sea. (p. 11)"The Winter Father" --
The Jackman's marriage had been adulterous and violent, but in its last days, they became a couple again, as they might have if one of them were slowly dying. (p. 24))This begins a story of a newly divorced father of two young children who struggles to adapt to his changed role in the kids' lives. He feels the divorce has "pierced and cut" his time with the kids, and he finds any moments of silence between him and his children painful, so he fills their time with entertainment: movies, museums, and aquariums. As a newly single man, he also comes to a new understanding of his sexual and emotional needs. This story explores parenthood, intimacy, loneliness, and regret. It also touches lightly, but powerfully, on the theme of guilt, an inevitable emotion at the end of a marriage.
Crossing the sidewalk to his car, in that short space, he felt the limp again, the stooped shoulders. He wondered if he looked like a man who had survived an accident which had killed others. (p. 26)One of Dubus's gifts is to avoid the temptation to give his characters a Road to Damascus-like moment of revelation or an easy solution to their problems, yet he does show them some kindness and compassion. "The Winter Father" offers no moment of resolution and closure, but it does allow the father to gradually begin growing toward a sort of peace.
"Rose" -- This story begins with a 51-year-old man ruminating as he frequents a neighborhood bar. We come to know the narrator, an intelligent, articulate ex-military man, then we realize he has come to us primarily as a storyteller. He guides us into a story told to him in the bar by Rose, a worn down working class woman with a broken spirit.
And in Rose's eyes, I saw embers of death, as if the dying of her spirit had come not with a final yielding sigh, but with a blaze of recognition. (p. 61)I will leave you to discover Rose's tragic story for yourself. It's a tale of how a woman loses her power and even her awareness of her own love, but it's also about how people, including Rose, discover hidden reservoirs of strength, at critical moments, that they never knew they had. The narrator sees her with respect and compassion, even though she can't see herself in this light. It's also a story that explores the intersection between religious belief and real life, and the search for meaning or lack of it, important themes in Dubus's work.
Devout Catholics, she told me. By that, she did not mean they strived to live in imitation of Christ. She meant they did not practice artificial birth control, but rhythm, and after their third year of marriage they had three children. They left the church then ... I am not a Catholic but even I see they were never truly members of that faith, and so could not have left it. There is too much history, too much philosophy involved, for the matter of faith to rest finally and solely on the use of contraceptives ... They had neither a religion nor a philosophy; like most people I know, their philosophies were simply their accumulated reactions to their daily circumstance, their lives as they lived them from one hour to the next. They were not driven, guided by either passionate belief or strong resolve. And for that I pity them both, as I pity the others who move through life like scraps of paper in the wind. (pp. 64-65)"The Fat Girl" -- A slightly obese young woman's sense of identity, and her expectations of her life, evolve as she loses and gains weight.
"Delivering" -- A pre-teen boy goes through daily routines with his younger brother, occasionally showing a bit of cruelty, after the violent break-up of his parents' marriage.
"A Father's Story" -- This is a tale of love, guilt, and forgiveness, and it's also a story about finding meaning in quotidian life. A divorced father is driven to make a difficult choice to protect his adult daughter. I will leave you to discover it for yourself. I will just add that it delves heavily into religion and spirituality, and I enjoyed the Catholic narrator's perspective on religion, which combines a love of ecclesiastical rituals with a rejection of the material trappings of organized religion.
For ritual allows those who cannot will themselves out of the secular to perform the spiritual, as dancing allows the tongue-tied man a ceremony of love. (p. 119) Certainly the ushers who pass the baskets know me as a miser. Father Paul ... could say Mass in my barn. I know this is stubborn, but I can find no mention by Christ of maintaining buildings, much less erecting them of stone or brick, and decorating them with pieces of metal and mineral and elements that people still fight over like barbarians. (pp. 114-115)"All the Time in the World" -- A young woman searches for an adult relationship and discovers both the joys and limitations of a culture revolving around casual sex.
The Cinematic Connection This is the first full-length film Todd Field directed, and it is a good one, though not for the faint of heart. In this adaptation of "Killings," which is a very short piece, the original story and characters are changed and expanded to fit a feature length movie. And the focus of the story changes from being about a father's choices and internal struggle to being about the relationship between him and his wife.

As Roger Ebert said, in his 4-star review:
The film unfolds its true story, which is about the marriage of Matt and Ruth--about how hurt and sadness turn to anger and blame. There are scenes as true as movies can make them, and even when the story develops thriller elements, they are redeemed, because the movie isn't about what happens, but about why.This movie shines, partly due to great performances by Tom Wilkinson, Sissy Spacek, and Marisa Tomei. Have I mentioned that Tom Wilkinson is one of my favorite actors in the world? This isn't the kind of fast paced movie you'd expect from Hollywood. It movies slowly through vibrant images, that give you hints as to what lies beneath the surface, and it reveals the characters in quiet, everyday moments. This is true to the introspective, character driven quality of Dubus's stories and his deft use of imagery, which I described above. On the other hand, it is a violent, disturbing movie, though not gratuitously so, and it will keep you on the edge of your seat!
Rating: 4.5
5- Cherished Favorite | 4 - Keep in My Library | 3 - Good Read | 2 - Meh | 1 - Definitely Not For Me |
Saturday, December 3, 2011
Bad Mother: A Chronicle of Maternal Crimes, Minor Calamities, and Occasional Moments of Grace by Ayelet Waldman

Ayelet Waldman was a highly driven, successful defense attorney, married to a full-time novelist, when she left her job to become a full-time mom to her first child, Sophie. Fifteen years later, she is writing about her experiences with marriage and motherhood. Bad Mother was not what I expected. I checked it out expecting a memoir, and while revelations about the author's life run throughout the book, it's actually a group of loosely connected essays. They explore marital roles, breast-feeding, maternal guilt, and other topics that are familiar to many of us.
I am not sure Waldman represents the "typical" mom, as she is clearly highly educated and upper middle class. As she was expressing mild guilt over hiring maids to help with housework, I was thinking about the years my husband and I couldn't afford heating fuel. :-) However her essays are beautifully articulate, a bit edgy, and often laugh-out-loud funny. As a mom, I could relate closely to most of what she had to say; at times, reading these essays was like chatting with a friend.
The first topic she discussed was the unrealistic expectations and judgments we mothers put on ourselves and each other.
.

Being a Good Father is a reasonable, attainable goal; you need only be present and supportive. Being a Good Mother, as defined by mothers themselves, is impossible. When asked for an example of a Good Mother, as defined by mothers themselves, the women I polled came up with June Cleaver and Marmee, from Little Women. Both of whom are by necessity, not coincidence, fictional characters. The good Mother does not exist, she never existed, not even in those halcyon bygone days to which the arbiters of maternal conduct never tire of harking back. If the producers of Leave it to Beaver had really wanted to give us an accurate depiction of late 1950s and early-1960s motherhood, June would have had a lipstick-stained cigarette clamped between her teeth, a gin and tonic in her hand, and a copy of Peyton Place on her nightstand. But still, this creature of fantasy is whom the mothers in my sample measured themselves against, and their failure to live up to her made her feel like Bad Mothers. It's as if the swimmer Tracy Caulkins, winner of three Olympic gold medals, setter of five world records, were to beat herself up for being slower than the Little Mermaid. (p. 11)Other topics explored:
- Some parents are incredibly dogmatic about parenting philosophy, and this often seems to pop up in relation to attachment parenting discussions. Despite some of the rhetoric I've seen on the interwebs, there's no solid evidence that my kids will grow up to be serial killers because I didn't wear them in a sling for the first nine months, sleep with them, or breastfeed until they were in graduate school. I appreciated that Waldman was on the same wavelength. ;-)
- Roles partners adopt in a marriage, whether they be traditional, egalitarian, or mixed. While Waldman considers herself a feminist, she never changes a light bulb. :-)
- Keeping intimacy and passion alive after marriage and children.
- Her experiences with seeking parenting support on the internet.
- Teenage sexuality, her own sexually adventurous youth, and how she talks to her kids about physical intimacy.
- The burdens of homework.
- That unrequited longing for another baby, that just won't quite die.
When Rosie was little, she was a slow talker ... She would sit on the floor, her fat legs stretched out in front of her, as I built and rebuilt a tower of blocks, , laughing each time I toppled it over. I was so busy saying, "Rosie can you say 'boom'? Say 'boom' for Mommy," that I barely registered her full-body smile, the way every inch of her, from her cornflower blue eyes to the pink tips of her toes, wriggled as she grinned at the tower's collapse. The most toxic thing parents can do is allow their delight and pride in their children to be spoiled by disappointment, by frustration, when the children fail to live up to expectations formed before they were even born, expectations that have nothing to do with them and everything to do with the parents' own egos. (pp. 205-206)There were several things that touched me deeply. I connected with Waldman's account of her son's diagnosis with ADHD and coming to terms with the unexpected twists presented by a child's learning differences. I was also moved by her disclosure that she's bipolar and struggled with the decision to use medication during pregnancy. I went through this too. I had to make a choice, with each of my last two pregnancies, whether to use medication for anxiety and depression. Despite my severe history with my mood disorder, which runs in my family, and although increasing medical evidence indicates that SSRI use during pregnancy and nursing is safe, this was very difficult.
I also related to Waldman's fear that her children would inherit her illness. She wrote about constantly gauging her kids' emotions and reactions, looking for signs of bipolar disorder. She also described the stress her illness puts on her children. This almost made me cry.
I recommend this book if you enjoy essays and memoirs and motherhood is a topic close to your heart. I also think it would be a great book club pick. There is enough fodder for discussion here to keep you up well into the night.
Other Reviews: The Book Lady's Blog; A Good Stopping Point
Rating: 3.5
5- Cherished Favorite | 4 - Keep in My Library | 3 - Good Read | 2 - Meh | 1 - Definitely Not For Me |
Labels:
Ayelet Waldman,
Essays,
Memoir,
Mental Illness,
Motherhood
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